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to change font size in firefox: PC ctrl+ or ctrl-, MAC apple+ or apple-

 

SIRENS BERGEN ; OPEN DI 5 ; EARPHONES ; AVANT ROCK ; GONZO (CIRCUS) ; DNK-AMSTERDAM.COM ; NO-)TOON) ; SIRENS ; RRSMCS END ; OPEN DI 2 ; OPEN DI ; 10 TURNTABLES & NO DJS ; DNK ; MODULATING AIR WAVES ; ALT-RR.SMCS ; AM-RR.SMCS ; MORRA O DANTAS ; METROPOLIS M ; RR END EXAM ; DEAD DARLINGS #2 ; OPEN NOISE ; RR ; OPEN 9.5 ; TAPE ; PAROOL ; ASCII ; START ; VERSTECK ; ENDEXAM ; OTHER VINYL ; CUT UP HEAVY METAL RECORDS ; AQ003 ; AQ002 ; AQ001 ; AQUELA MÁQUINA ; OFFICE217 ; GRAY ; STAINS ; MEAT ; PLUNDERPHONICS ; CORNERS ; NFOS ; TOILET DOOR ; SNAILS ; SANDPAPER ; ME

 

 

-- SIRENS, LYDGALLERIET, 23.02 - 16.03-2008 --

 

Sirens show at Lydgalleriet, Bergen, Norway

--> poster 01
--> installation views 01 02

 

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-- 2 EARPHONES, LIVE AT DNK OPEN DI 5, 21.01.2008 --

 

a short performance at DNK-Amsterdam fifth instance of the OPEN D.I. series.

It consisted of a single earphone pair in a feedback loop, connected to a self built unstable amplifying circuit. The circuit was also connected to a tweaker and a guitar amp. For the first minute only the tweaker was playing, then the guitar amp was turned on for another minute.

it is a sort of reversed version of the earphones installation - only one pair but much more amplification.

--> pictures 01 02 03 (photos by Seamus Cater)
--> live recording 01

 

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-- EARPHONES, 14.12.2007 -

 

At N Event 22a, 14.12.2007 at the Tou Brewery , Stavanger, Norway

1000 disposable earphones were spreaded on the floor, 960 working as speakers, 40 as microphones, making a feedback loop you could control on the mixer. An unpredicted but welcomed sound source was some noise from the amplification circuits. The earphones working as speakers were joined in 40 groups of 24 single pieces and connected 10 outputs of the mixer. The ones working as microphones were joined in groups of 4 and connected to 10 inputs. Each microphone was placed around a pack of 24 speakers. Most lower frequencies were muted.

 

--> pictures of installation 01 02 03 04 05 (photos by Anu Vahtra)
--> pictures of the building up 01 02 03 04 05 06 07 08
--> posters of the evening 01 02 03
--> schematic sketch of the installation 01
--> short video of the installation 01
--> sound recording of the evening 01 02 03 04

 

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-- DNK-AMSTERDAM PRESENTS: A NIGHT OF AVANT ROCK!, 10.2007 --

 

design for the concert of Ultralyd and KTL at DNK-Amsterdam.

 

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the design was also used on the handout given at the door, designed by ORIG.CH

 

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-- GONZO (CIRCUS) #81, JULY-AUG 2007 --

 

Tamara van de Laarse used a picture she made of me in front of my end exam installation in de Rietveld Academie on the cover of the issue #81 of the Gonzo (circus) magazine. I am also holding my baby megaphone that I used in DNK Open DI 1. There is no reference whatsoever to me or my work inside the magazine.

 

--> Gonzo (circus) #81 cover 01

 

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-- DNK-AMSTERDAM.COM, 05.2007--

 

The new website of DNK-Amsterdam is now online. I was in charge of designing the MP3 page. The usual idea was to have the simplest page possible, just text, pretty much as this page. But in the end it turn out to be the most complex - in order to be automatically updated a lot of coding had to be done by his holiness Jeff Carey.

 

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-- NO-)TOON) FESTIVAL, HAARLEM, 31.03.07 --

 

waarom no-)toon) ?

Na het succesvolle zevende )toon)-festival, voorjaar 2006, is de achtste editie van )toon) begin 2008 gepland. Ondertussen vindt eind maart 2007 no-)toon) plaats. Géén vervangend festival en ook geen ‘)toon) in ’t klein’, maar een pamflet in beeld en geluid waarmee wij willen wijzen op het belang van )toon) voor de stad Haarlem en als karaktersitiek onderdeel van het landelijke aanbod van digitale beeld- en geluidskunst.

)toon) is in zeven jaar uitgegroeid tot één van de grootste en meest prestigieuze festivals voor elektronische kunst en muziek. Een festival met een internationale uitstraling en gebaseerd op een consequente programmavisie en een hoog kwaliteitsniveau. )toon) is een festival met ambities. Wij discussieren graag over de inhoud van het festival, maar waar het de kwaliteit van het aanbod betreft sluiten wij geen compromissen. De gestaag groeiende bezoekersaantallen door de jaren heen tonen aan dat er ook een publiek voor deze ‘strenge’ opvatting bestaat, al betekent dat dat )toon) nooit de status van een popfestival zal krijgen.

Toen het programmaconcept voor )toon)8, oorspronkelijk gepland voor voorjaar 2007, eind vorig jaar op papier stond en de formulieren voor de subsidie-aanvragen klaar lagen om ingevuld te worden, bleek echter dat de ondersteunende instanties die voorgaande jaren garant stonden voor eventuele verliezen – Nieuwe Vide en Patronaat – daar in 2008 om verschillende redenen niet toe in staat zouden zijn. Omdat uitsluitsel met betrekking tot toekenning van het merendeel van de aan te vragen subsidies pas één maand, of zelf korter, voor het festival mogelijk bleek, en omdat wij het zowel tegenover de kunstenaars als publiek en medewerkers onverantwoordelijk achtten om het hele festival op het allerlaatste moment af te moeten blazen, hebben wij besloten om )toon)8 op te schuiven naar voorjaar 2008.

In het tussenliggende jaar hopen wij de financiering van het festival grondig te kunnen onderbouwen. Maar ook willen wij de Gemeente Haarlem ervan overtuigen om )toon) te verankeren in de cultuurpolitieke plannen voor de komende jaren. )toon) zou, door de internationale uitstraling en het vernieuwende, eenentwintigste eeuwse imago, een belangrijke en stimulerende bijdrage kunnen leveren aan Haarlem als cultuurstad, naast het Frans Hals Museum, Museum Teyler en vooral het Internationaal Orgelfestival.

Om dit idee kracht bij te zetten, vindt eind maart drie dagen lang no-)toon) plaats. Geen vervangend festival, maar een pamflet in beeld en geluid waarmee wij argumenten willen leveren voor hetgeen )toon) voor Haarlem betekent. no-)toon) speelt zich af in de Nieuwe Vide, Patronaat, De Hallen en Grasland en zal werk omvatten van ondermeer de Britse kunstenaar en musicus Max Eastley, de Britse groep Sand en de Nederlanders Machinefabriek en Martijn Tellinga. Daarnaast zal Rob Young, publicist en voormalig hoofdredacteur van The Wire een lezing geven over de betekenis van de digitale ontwikkelingen voor de beeldende kunst en de muziek en vooral de onderlinge verbanden daartussen.

Doel van no-)toon) is om voorwaarden te scheppen waardoor de reeks )toon)-festivals in 2008 hervat kan worden en uitgroeit tot een ijkpunt voor de culturele ambities van de stad Haarlem.

Peter Bruyn Martijn Lucas Smit Okke Gerritsen Xander Karskens

...

Zaterdag 31 maart De Hallen »
Open 18:30 uur. Aanvang 19:00 uur. Entrée: Passepartout (10 EUR)
Coen Oscar Polack (NL) » Hydrus (NL) » André Avelãs (POR) » David Michael DiGregorio (USA)»

Een rondgang door De Hallen Haarlem, waarbij vier geluidskunstenaars voor een nieuwe ervaring van de ruimte of het geëxposeerde werk zorgen. Met de Haarlemmer Coen Oscar Polack. Vervolgens het elektronica-duo Hydrus waarvan dit voorjaar een nieuw album verschijnt. Dan de Portugees André Avelãs, ook wel bekend onder zijn alter ego ‘That Horrible Noise’. En tenslotte de Amerikaanse stemkunstenaar en singer-songwriter David Michael DiGregorio die veel gebruik maakt van elektronische stemvervorming. Het aantal plaatsen is beperkt. Het is raadzaam om tijdig te reserveren.

...

the set up at De Halen: I used the sound of the slide projectors from Pablo Pijnappel's piece Caiçara and sent the mixed sound into a MAM VF-11 vocoder, the output of the vocoder was connected to a splitter, and sent back to the vocoder input and to the main speakers. in between the splitter and the vocoder input was a 60´s Schaller tremolo stomp pedal.

 

....................................................................
----------------------.----------------------.----------------------
| slide projector #1 |.| slide projector #2 |.| slide projector #3 |
---------------+------.----------+-----------.---------+------------
.contact mics ->\................|..................../.............
.................\...............|.................../..............
..................\..............|................../...............
...................\.............|................./...-----------..
.................---*------------*----------------*-...| tremolo |..
.................| ............mixer...............|...---+-----*-..
.................---+-------------------------------.out->|.in->|...
....................|..--------<-----------<---------------.....|...
..........line in->.|..|<-synthesis..line out->|--->---*-----------.
.................---*--*-----------------------+--.....| splitter |.
.................|......MAM VF-11.vocoder........|.....--------++--
.................---------------------------------.............||...
...............................................................||...
......................................................---------**--.
......................................................| amplifier |.
......................................................-------------.
....................................................................

 

--> video on youtube 01
--> video from no-)toon) DVD 01
--> pictures (frame captures) 01 02 03 04 05 06 07
--> sound from videos in MP3 01 02

 

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-- SIRENS, 66 EAST, 03.2007 --

 

Sirens
An Evolution from Water, through Water, to Water

An exhibition at 66 East
Guest curator: James Beckett
Opening event: Saturday 17th March 2007 at 19:00
With concerts by: * Koen Nutters, arrangement for strings * der Wexel and Viljam Nybacka

Exhibition: 18 March – 22 April 2007

'Sirens' traces the development of the device as an instrument of analysis into the role of auditory alert. As well as a historical account, the exhibition looks at artistic appropriation of the machine in acts which reveal much about the cultural, political and functional aspects of a living device. In physics, the instrument was developed as a means to illustrate tones, later to develop into the more elaborate and much disputed combination tones, revealing a 'Klangfarbe' or timbre. Along with numerous other acoustic instruments, the Siren became a means by which to describe and measure the composite nature of sound, and to some extent demystify the complexity of acoustic phenomena. The exhibition delineates the development and transformation of the siren, as an idea, an instrument and as a technological device.

The artists Andre Avelas, Mark Bain, Ralph Borland, Alec Finlay and Chris Watson, Raviv Ganchrow and Max Neuhaus present their own interpretation to sirens and auditory alerts.

With contributions from SOS Workshop [a collaboration between Leiden University and the Veenfabriek director John Heymans, artistic director Paul Koek], The siren collection of Albert Baas, David Stall, Victory Siren Foundation Inc., and CPSM in cooperation with the Venetian Research Consortium and the University of Verona [represented by Avanzini, F.; Rocchesso, D.; Belussi, A.; Palu, A.D.; Dovier, A].

Thanks to Amsterdam Fonds voor de Kunst, Uqbar Foundation and the Universiteitsmuseum Utrecht.

--> poster, flyer back & front, e-flyer in .JPG
--> publication by 66 East in .PDF and my pages in .JPG 01 02
--> installation views in .JPG 01 02 03 04 (photos by Eva-Fiore Kovacovsky)
--> official press photo 01 (photo by Anthea Bush)
--> picture in Amsterdam Weekly 01
--> video frame captures 01 02
--> sounds from seebert-savart-saw 01 02 03

 

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-- RRSMCS END, 12.03.07--

 

the 100 days radio project in the SMCS and Mediamatic is finished.
an analysis of the project, as well as links to my contributions will be here shortly.
In the meantime you can check the archive in www.rrsmcs.nl

 

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-- OPEN DI 2, DNK-AMSTERDAM + MEDIAMATIC + RR.SMCS, 09.03.07 --

 

DNK-Amsterdam Presents:

Open DI Night Part 2 (Garage Version)

One big collective set with 1 player at a time. (between 21:00 and 0:00)

Already confirmed: Juan Para Cancino, James Beckett, Barbara Luenenburg & Nick Fells, Matthijs Kouw, Seamus Cater, Viljam Nybacka, POLYPHAKE, ciao! bird, Andre Avelas, Dirk Bruinsma, Mike Ottink, Koen Nutters, Arie Altena... More to come...

...

For my set I played a feedbacked vocoder with a direct touch portable radio circuitry running through it.
later I joined Camila in her performance. I sent her voice and the sounds of contact microphone attached to a sewing machine also through the vocoder.

--> picture 01
--> flyers: normal & absynth version
--> avelãs - feedback vocoder & touch radio live at DNK OPEN D.I. part 2 (webcast recording at 160kbps - 08:13)
--> avelãs & camila - live at open D.I. 2

 

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-- OPEN DI, DNK AMSTERDAM --

 

Open D.I. Night - Episode 1.

Direct Input into the DNK Sound system for small electro-acoustic or electronic set up.

Many sets of up to 5 minutes with a short spoken introduction.
A meeting of the art and music worlds displaying and discussing different approaches to selecting and organizing sound.

This episode's participants:
Music world: Gert-jan Prins, Justin Bennett, Koen Nutters & Dirk Bruinsma
Art world: Andre Avelas, Mark Bain & David Michael DiGregorio

We will be discussing the intersection of art and music after the concert... Hope to see you there!

...

My contribution consisted of feedbacked baby megaphone, looped in a Audiomulch patch.

--> poster
--> performance video frame captures 01 02 03 04
--> live audio recording (from video camera) 01
--> audiomulch patch - DNK-openDI.AMH

 

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-- 10 TURNTABLES AND NO DJS, RR.SMCS, 04.07 --

DATE: 03 & 04.02.2007
from 16:00-18:00H

Radio weekend dedicated to the specific qualities and limitations of vinyl and 10 turntables. Performing at the Stedelijk, 03.02.2007: Paul Glazier - "nana canons" & Ivo Bol - "Holtz's planets"; on the 04.02.2007: André Avelãs - "Vibrating turntables on empty vinyl" & Jakob Proyer - "Again the end again"

--> picture by Jabob Proyer
--> recording

 

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- DNK & RRSMCS PRESENT --

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... - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - ---------------------------------------------------------------------------------------\ -
.. --- set 2: ----------------------------------------------------------------------------------------- - - - ---------------------------------------------------------------------------------------\\-
. /!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! - - - -- . RAUS AUS NEUSS! / OUT OF NOISE! . . . . . . . . . . . . . . . . . . . . . . . . --\\\
.//!!
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///!!
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///!!
|###|/##:!!!|###!!|###|!!!!!!!!!|###|!!!!:##.!!|###+!!!!!!!|###|!!!|###!!`##\!!!|##`!!!!!!!|###|!! - - - -- . ISABEL RAUSCHENBERGER (BASS, GESANG, EFFEKTE) . . . . . . . . . . . . . . . . . --\\\\
///!!
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-- OPENING, STEDELIJK --

 

opening performance RadioRietveld@StedelijkMuseumCS

That Horrible Noise & Polyphake Plapperlapapp

<Modulating Air Waves>

RR.SMCS will commence its broadcast with the opening of the exhibition "Just in Time - Gemeentelijke Kunstaankopen" on november 30th, 2006.
As transmissions on FM band start, RR.SMCS, Radio Tinnitus and Radio AM will condense existing radio signals in a performative installation broadcasted live on air. Defining the free spaces of the bandwidth in the aether and amplifying these unused sounds a dense sound sculpture emerges. Analogue modulations of interfered transmissions capture an unused information potential. By adding distortion, filters, electronic effects and by playing the variations of amplitude and frequency, electricity and radio waves as source and carriers of the medium radio are singled out and exponantiated in a multilayered radio art performance.

The Modulations will be performed by Andre Avelãs a.k.a. THAT HORRIBLE NOISE and Jakob Proyer a.k.a. POLYPHAKE PLAPPERLAPAPP.

--> pictures of performance 01 02 03 04 05 (.JPG)
--> performance in .MP3

 

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-- RR.SMCS ALTERNATIVE STUDIO AT MEDIAMATIC´S GARAGE --

 

|---------------------------------------------------|__________________..................<----- 2.5 m ----->...........................
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|||||\----------------------------------------------+++++\ ____________......main..... |#|..|...>::::::::::|#|...............|#|......
||||||\---------------------------------------------++++++\ ___________...mediamatic.. |#|..d....>:::::::::|#|...............|#|......
|||||||\--------------------------------------------+++++++\ __________.....space..... |#|..i......^^^^^^^^|#|...............|#|......
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||||||||............................................|||||||| __________............... |#|..h.......|compr.|#|...............|#|......
||||||||...... RR.SMCS @ MEDIAMATIC'S GARAGE .......|||||||| __________............... |#|..|.......|limit.|#|...............|#|......
||||||||............................................!||||||| __________............... |#|..w.......|mixer |#|===.........===|#|......
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___\++++------ DAILY FROM 18.00PM -> 12.00AM -----------\||| __________............... |#|..e.......| d j. |#|...............|#|......
____\+++-------------------------------------------------\|| __________............... |#|..r.......| set. |#|...............|#|......
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